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If you go back to 1980, America would not have a successful fantasy book that’s inspired by African cultures. What’s happening right now is really exciting, because we’re seeing all these other cultures and authors from places that wouldn’t have been published by the traditional publishing houses come out and have amazing success. “Modern fantasy is more interesting than classic fantasy to talk about, because there’s so much new happening right now-I mean, books published in the last two or three years. Geek's Guide to the Galaxy Horror Movies Seem to Really Hate the Suburbs She and her husband are really good friends of mine, and they talk a lot about adult fantasy.” And then there’s another one, a woman who operates a sister channel to my channel, Merphy Napier. He’s a big Kingkiller fan, which I’m not huge about, so whenever I get comments saying, ‘Talk about Kingkiller,’ I just direct them over to Jay.
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It’s an outstanding channel where he just does these videos about Sanderson or whatever series captures him. He puts out a video a month, but it’s like an event for me when he does. He talks exclusively about adult fantasy.
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“The one I maybe admire most, just in terms of his technical ability to speak about books and his editing and everything, is Captured in Words. But everyone who pushes past that, I personally haven’t met anyone who doesn’t at least like-to-love the ending of the series and think it’s worth it.” And then there are a certain number who won’t finish because the slog just hits them too hard. The percentage of people who hit Book 4 and are not absolutely obsessed with it is very, very low. But I do think anyone who’s a hardcore fantasy fan, who read A Song of Ice and Fire and wasn’t satiated, could absolutely get through Wheel of Time, and anybody who gets to Book 4 is in love with it. “It’s not a series I recommend to everyone, even though I love it, because I know recommending a 14-book series to someone isn’t what I would call polite. And check out some highlights from the discussion below. Listen to the complete interview with Daniel Greene in Episode 431 of Geek’s Guide to the Galaxy (above). “I purposely have been ignoring the numbers, because numbers run my life.” “I needed a project that was less stressful, and that I wouldn’t get constant feedback on all the time-you really don’t with podcasts,” he says. He’s looking forward to creating content without the constant pressure of YouTube’s analytics. Greene recently launched a new podcast, A Fictional Conversation, with his friend Bobby O’Donald. “I would love to read their books, I would love to promote them to my audience, but if I did even a fraction of those, it would take up a huge percentage of my videos, and YouTube would see ‘OK, he had five videos this week, three of them were about these self-published books that barely got 10K views, we’re going to demote him.’ And eventually I wouldn’t be able to do this job anymore.” “I get 20-30 self-published authors reaching out to me a week, trying to get me to read their books,” he says. Greene is careful to balance less popular content with familiar standbys that he knows will bring in traffic.
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The biggest challenge with YouTube is adapting to the site’s mysterious and ever-shifting algorithm. “It just shows that YouTubers do put time and effort in to make their content quality.” “Those are professionals, those are people who have been doing this for so long, and they couldn’t figure it out really quick,” he says. He notes that when late night talk show hosts were forced to broadcast from home due to Covid-19, their initial efforts were lackluster. In addition to dealing with sponsors and reading hundreds of pages a day, Greene also spends hours editing his videos to look as polished as possible.